Dies Irae: In Flanders fields from Eternal Light: A Requiem

Goodall, Howard

SKU
56-0054*
MorningStar Music Publishers
Grouped product items
Product Name Qty
Dies Irae: In Flanders fields from Eternal Light: A Requiem - 56-0054
$3.35
Dies Irae: In Flanders fields from Eternal Light: A Requiem (Downloadable) - file_56-0054-E *Downloadable choral octavo minimum order quantity is 6.
$3.35
Eternal Light: A Requiem (CD Recording) - CD-72-HG
$16.00
More Information
SKU56-0054*
Sales RestrictionsThis item is for sale in North America ONLY.
Composer/ArrangerGoodall, Howard
Text AuthorMcCrae, John
Voicing & InstrumentsSoprano Solo, Tenor or Baritone Solo, ATB Chorus, and Piano
DifficultyMedium
Text LanguageEnglish
Special Services/OccasionsTenebrae
Topics (Sacred)Lament/Grief/Sorrow, Heaven
Topics (Secular)Death/Loss/Remembrance/Afterlife, War/Peace/Unity
Popular Choral SearchesRequiem
Liturgical YearLent, Triduum/Three Days
Traditional TextsRequiem
PublisherMorningStar Music Publishers
Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement has no soprano part, it is soloist above and ATB below, giving a rich, dark quality to the music. The tenors and basses (divisi) begin this movement, declaiming “Dies irae, dies illa.” Two soloists begin in the “Flanders fields” text above. There is an option for three soloists as the piece evolves. (Soprano, tenor and baritone, the composer gives some options for this.) Soon the choir takes up the poem, yet the Latin text occasionally appears and continues, moving toward a climax on the text “We are the Dead, Short days ago We lived.” As the music descends from the high point, the English poem continues, with the choir very softly commenting “Dies irae” as the movement ends. Duration 5:36